Assessing the Threat and Vulnerability of Hallyu among Indonesian Generation Z
DOI:
https://doi.org/10.70710/sitj.v3i1.86Keywords:
Cultural Security, Generation Z, Hallyu, Indonesia, Threat Assessment, VulnerabilityAbstract
Hallyu, or the Korean Wave, has evolved into a global cultural phenomenon that shapes consumption patterns, identity formation, and lifestyle orientations across national boundaries. In Indonesia, the extensive exposure of Generation Z to Korean popular culture through digital platforms positions this cohort as a strategically significant audience within transnational cultural flows. This study examines the threat and vulnerability of Hallyu exposure among Indonesian Generation Z and examines its implications for cultural resilience in a rapidly globalizing cultural environment. Employing a qualitative descriptive analytical approach, the study draws on non participatory observation, semi structured interviews with institutional stakeholders, cultural actors, and youth communities, and analysis of official cultural documents. Data were interpreted using Prunckun’s threat and vulnerability assessment framework and an intelligence informed analytical perspective. The findings indicate a moderate threat level with a total threat coefficient of 13, driven primarily by high capability factors, particularly knowledge and resource mobilization supporting Hallyu dissemination. The vulnerability assessment yields a moderate vulnerability profile (coefficient score: 9), reflecting strong attractiveness, facilitated digital penetration, and cumulative cultural impact. The study argues that Hallyu constitutes an invisible cultural security challenge that does not manifest through coercion, but through gradual normalization and asymmetry in cultural influence. Strengthening cultural resilience through governance, literacy, and competitive local cultural ecosystems is therefore essential to ensure balanced cultural development without securitizing popular cultural consumption.
Downloads
References
Agastia, I. G. B. D. (2020). Understanding Indonesia’s role in the ASEAN Outlook on the Indo-Pacific: A role theory approach. Asia and the Pacific Policy Studies, 7(3), 293–305. https://doi.org/10.1002/app5.308
Alifah, A. (2024). Study of pop culture representation in social media. Enigma in Cultural, 1(2), 31–34. https://doi.org/10.61996/cultural.v1i2.43
Badan Intelijen Negara. (2022). Peraturan BIN Nomor 01 Tahun 2022 tentang organisasi dan tata kerja Badan Intelijen Negara Republik Indonesia. Jakarta.
Badan Pusat Statistik. (2021). Statistik sosial budaya 2021. Jakarta: BPS.
Badan Pusat Statistik. (2023). Keadaan angkatan kerja di Indonesia Agustus 2023. Jakarta: BPS.
Chunyan, Y., Xingyu, Z., & Yitao, Z. (2022). Research on the impact of internet pop culture on post-2000s college students. Frontiers in Educational Research, 5(23), 77–82. https://doi.org/10.25236/FER.2022.052317
Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th ed.). Sage Publications.
Desideri, N. (2013). Bubble pop: An analysis of Asian pop culture and soft power potential. Res Publica: Journal of Undergraduate Research, 18, 43–62.
Dwiyanti, N. M. F. S., Pujaastawa, I. B. G., & Laksmiwati, I. A. A. (2022). Pengaruh budaya pop Korea terhadap gaya hidup remaja di Kota Denpasar. J-CEKI: Jurnal Cendekia Ilmiah, 2(2), 162–170. https://doi.org/10.56799/jceki.v2i2.1357
Fiske, J. (2011). Understanding popular culture. Routledge.
Gómez García, R., & Birkinbine, B. (2018). Cultural imperialism theories. Oxford Bibliographies. https://doi.org/10.1093/obo/9780199756841-0209
Heryanto, A. (2008). Popular culture in Indonesia: Fluid identities in post-authoritarian politics. Routledge.
Istiqomah, A., & Widiyanto, D. (2020). Ancaman budaya pop terhadap penguatan identitas nasional masyarakat urban. Jurnal Kalacakra, 1(1), 18–24. https://doi.org/10.31002/kalacakra.v1i1.2687
Jeong, J. S., Lee, S. H., & Lee, S. G. (2017). When Indonesians routinely consume Korean pop culture: Revisiting Jakartan fans of the Korean drama Dae Jang Geum. International Journal of Communication, 11, 2288–2307.
Jin, D. Y. (2016). New Korean wave: Transnational cultural power in the age of social media. University of Illinois Press.
Korea Foundation for International Cultural Exchange. (2018–2023). Hallyu White Paper (various editions). Seoul: KOFICE.
Korea Tourism Organization. (2020–2023). Facts about Korea (various editions). Seoul: KTO.
Lux, G. (2021). Cool Japan and the Hallyu Wave: The effect of popular culture exports on national image and soft power. East Asian Studies Honour Papers, 3.
Prunckun, H. (2015). Scientific methods of inquiry for intelligence analysis (2nd ed.). Rowman & Littlefield.
Rastati, R. (2022). Internalizing Pancasila through pop culture and youth community. Jurnal Masyarakat dan Budaya, 24(2), 160–581.
Singh, A. K. (2022). A study of popular culture and its impact on youth’s cultural identity. The Creative Launcher, 7(6), 150–157. https://doi.org/10.53032/tcl.2022.7.6.16
Storey, J. (2018). Cultural theory and popular culture: An introduction. Routledge.
Strinati, D. (2004). An introduction to theories of popular culture (2nd ed.). Routledge.
Sukarno, I. (2014). Ilmu intelijen. STIN Press.
Vyomakesisri, T., Sonu, T., & Srikanth, D. (2020). Pop culture: Interaction and influence on the youth. International Journal of English, Literature and Social Sciences, 5(1), 8–12.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Security Intelligence Terrorism Journal (SITJ)

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.






